I normally don’t go to movie theatres. Most movies I catch now a days are DVDs, Blue Rays, or XFinity at my house or at showings my friends host. Occasionally though, I will go on a whim and see a film in theatres. My parents are on Cape and we had a free night. So my dad pitched the idea to see a film on Friday night. We all agreed. We ate quickly and drove over to the theatre in Dennis. We forgot it was opening night of the new Spider Man movie, so we had to wait in line for a while. Fortunately, once we got our tickets, we walked into one of the best films I’ve ever seen in person.
I’m not exaggerating, Baby Driver is one of the absolute best expereinces I’ve ever had at a movie theatre. Why’s that? Well I shall explain.
Let’s start with the absolute best thing about the film in my eyes (or ears): the sound design. The main character has a hearing issue and wears earbuds so he can listen to music and drown out the tin. The choice of music is excellent and fits the situation well in every situation, whether it’s sweet and romantic, tense and perilous, or fast and thrilling. What’s ear catching is how the music works with the other sounds. When someone passes Baby(yes that’s the main character’s name; we’ll talk about him later) the sound of their voice fades in and back out when they leave. The same thing happens with car horns, jackhammers, and anything else Baby can interact with. It mirrors the way you hear things with earbuds on in real life and is remarkably effective in putting you in the scene. You feel Baby’s character and thoughts through his music choices and subtle actions more than anything else. It is remarkably effective and it is something not many films will have a chance to replicate. The sound designers should win the Academy Award for Sound Design and it should not be a conversation.
The rest of the technicals of the film are excellent too. The cinematography is outstanding, especially with all the motion. The film never stays still, whether the criminals are discussing a heist, in the middle of crime, if Baby is out and about, or if the lead couple is on a date. The film doesn’t stay still, even when it’s slowing down from the violence of the crime world.
I guess I’ll talk about that part now, don’t see this movie if you’re squeamish. There is a ton of violence. Not as much as The Revenant, but it is still not for the faint of heart. There are high pressure scenarios, shockingly violent deaths, fierce gun battles, and plenty of blood and explosions to go around. However, it’s not grituitous. Everything feels earned and nothing feels out of place.
Which brings me to the action and car chase scenes, they are outstanding. The chases are beautifully captured and flow seamlessly. The action is remarkable. It does feel a little much, but everything else is so grounded and feels so real that the action can be as thrilling as the director can make it. The car chases are beautiful to watch, and in my opinion, top the chases in any Fast and Furious movie. Baby Driver‘s chances aren’t as elaborate, but they are more real because you care more about the characters in the cars, at least about Baby, than any Furious film.
Now on the writing and story, I’ve rarely been as compelled in a film. The premise of a talented get-away driver who’s musically inclined and has a painful past trying to live a regular existence but getting pulled back into the crime world of Atlanta, and thus endangering his loved ones is an interesting premise and it works beautifully well. The film constantly twists and turns and always gives you new things to think about and doesn’t let you rest.
The actors are perfectly cast for their roles. Andes Elgort is perfect as Baby and carries the film. He’s charming, lovable, and a fun character to watch. Jon Hamm and Elsa Gonzalez are outstanding as a robbing duo and dirty couple. They bring some edge to the film. Jaime Foxx is magnificent. He has no regard for anyone but himself, is scarily trigger happy, and is the film’s psychotic wild card. Kevin Spacey is manipulative, controlling, and completely captivating. Basically, he’s Kevin Spacey and is his character from House of Cards. You’ll love watching him. Lily James is striking and charming, working beautifully well as the love interest and the lighter side of a crime movie. But the character who stole every scene for me was CJ Jones’s character, who never says a word yet completely steals the whole show. Watch the film and you’ll see what I mean.
Lastly, Edgar Wright deserves incredible praise as the writer and director of the film. This has been a premise he’s wanted to work on since 1994. He turned the planned opening of the film into a music video for Mint Royale’s “Blue Song”. He kept it on the back burner until the time was right and finally got the chance to make it a reality. My only concern is that he’s been in discussion for a sequel and I think it’d work well as a stand alone. I hope there’s no unnecessary sequel.
Baby Driver manages to work as a crime thriller with romantic elements. It juggles a few different genres and works so well. It is one of the absolute best films I’ve ever watched in a theatre. If you have a free night and can stomach some brutal violence, do whatever you can to go see this movie. It is worth every single penny paid to see it.